Ken Hunt

Ravi Shankar in his ninety-first year

Ravi Shankar RS portrait_ed.JPG

Ken Hunt despairs at the ‘new’ audiences but then Raviji manages to ‘put a smile on his face’ at the maestro’s Barbican concert this summer, on 21st June 2011. Image Courtesy The Barbican

 

Let’s begin with a confession. Let’s lay some cards on the table. Attending every Ravi Shankar concert had no longer been a must. The reasons for that were complex and varied. For one, the audience had changed. The new audiences were no longer the community of faces at a Bhimsen Joshi, Vilayat Khan, Ali Akbar Khan or Alla Rakha recital. People were increasingly clapping to congratulate themselves on recognising a taal (rhythm cycle) finishing. Snobbish moi? You bet. The subtitles were plain.

CD: My Music - The Saregama Years: Shivkumar Sharma

Shivkumar Sharma
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Photo: Manoj Samudra

Ken Hunt reviews Saregama's eighteen-CD retrospective on the recordings of Santoor maestro Shivkumar Sharma

Tue, 2011-03-15

Saregama holds the largest and plainly the most mouth-watering archive of recorded music of any of the subcontinent’s record companies. This 18-CD career retrospective from the santoor virtuoso Shivkumar Sharma illustrates that proposition. It begins in 1955 with ‘Santoor 2’ and ‘Santoor 1’ (yes, that order) and ends in 1998 with ‘Indrahanush’ and his budding santoor-maestro son Rahul.

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